{"id":4240,"date":"2020-01-29T10:58:44","date_gmt":"2020-01-29T09:58:44","guid":{"rendered":"https:\/\/www.ipsi.cat\/elfil\/?p=4240"},"modified":"2020-01-29T12:26:32","modified_gmt":"2020-01-29T11:26:32","slug":"alban-berg-i-el-concert-per-a-violi-i-orquestra","status":"publish","type":"post","link":"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/","title":{"rendered":"Alban Berg i el &#8220;Concert per a viol\u00ed i orquestra&#8221;"},"content":{"rendered":"\n<p>&nbsp;Bon any a tots! Avui, malgrat us oferim una obra de les considerades \u201cdif\u00edcils\u201d us recomanem de no abandonar \u201cel vaixell\u201d sense abans concedir-li una oportunitat a aquesta magn\u00edfica pe\u00e7a del segle XX: El concert per a viol\u00ed i orquestra d\u2019Alban Berg (1885-1935) \u201c A la mem\u00f2ria d\u2019un \u00e0ngel\u201d.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"330\" height=\"406\" src=\"https:\/\/www.ipsi.cat\/elfil\/wp-content\/uploads\/2020\/01\/alban-berg-01.jpg\" alt=\"alban berg 01\" class=\"wp-image-4243\" srcset=\"https:\/\/www.ipsi.cat\/elfil\/wp-content\/uploads\/2020\/01\/alban-berg-01.jpg 330w, https:\/\/www.ipsi.cat\/elfil\/wp-content\/uploads\/2020\/01\/alban-berg-01-244x300.jpg 244w\" sizes=\"auto, (max-width: 330px) 100vw, 330px\" \/><\/figure><\/div>\n\n\n\n<p>&nbsp;Per comen\u00e7ar, que aqu\u00ed no volem enganyar a ning\u00fa, avui us presentem una obra \u201cdificilota\u201d, ja que estem parlant de m\u00fasica dodecaf\u00f2nica. Probablement, del repertori serial o dodecaf\u00f2nic, sigui l\u2019obra m\u00e9s assequible i la que m\u00e9s emocions desperta, perqu\u00e8 Alban Berg utilitza, malgrat que amb un llenguatge nou, una expressi\u00f3 ultra-rom\u00e0ntica, o per ser m\u00e9s precisos, expressionista. D\u2019alguna manera, us far\u00e0 la impressi\u00f3 que esteu escoltant una obra rom\u00e0ntica amb una sonoritat nova. Per establir un paral\u00b7lelisme: \u00e9s com sentir parlar un idioma amb sonoritats properes al catal\u00e0 per\u00f2 aix\u00f2 s\u00ed, amb un vocabulari completament nou i, a voltes dif\u00edcilment intel\u00b7ligible!<\/p>\n\n\n\n<p>Ara, si ja en teniu prou, podeu passar a escoltar l\u2019obra i veure qu\u00e8 passa i quanta estona aconseguiu aguantar amb l\u2019audici\u00f3. Bona sort!&nbsp;<br><\/p>\n\n\n\n<p><strong>Per aquells que vulguin saber-ne m\u00e9s:<\/strong><\/p>\n\n\n\n<p><strong>-Qu\u00e8 \u00e9s aix\u00f2 del dodecafonisme?<\/strong><\/p>\n\n\n\n<p>&nbsp;Vejam: a la m\u00fasica cl\u00e0ssica hom utilitza un total de dotze notes. Per entendre\u2019ns amb facilitat: les tecles blanques i les negres del piano. Els compositors juguen amb aquestes dotze notes, sempre seguint unes regles que fan que hi hagi unes notes que atreuen les altres de manera natural. Aix\u00f2 explica que, sovint, tinguem la sensaci\u00f3 d\u2019endevinar la nota que vindr\u00e0 a continuaci\u00f3. Tal miracle, amb la m\u00fasica dodecaf\u00f2nica no passa mai, perqu\u00e8 el compositor, com a material de l\u2019obra fa una selecci\u00f3 de les dotze notes, que anomena <strong>la s\u00e8rie,<\/strong> les organitza en l\u2019ordre que vol i les disposa a la partitura tot seguint complexes artilugis contrapunt\u00edstics que poden presentar les dotze notes seguides, del rev\u00e9s, canviant de direcci\u00f3 els intervals,etc\u2026 ( Recordeu aquella variaci\u00f3 de la Raps\u00f2dia per a piano i orquestra de Rachmaninov? doncs \u00e9s aix\u00f2 mateix!) Vejam, a tall d\u2019exemple i per cortesia de la Vikip\u00e8dia, unes \u201csenzilles\u201d<\/p>\n\n\n\n<p><strong>Regles per a la creaci\u00f3 d\u2019una s\u00e8rie dodecaf\u00f2nica<\/strong><\/p>\n\n\n\n<p>A partir de l&#8217;<a href=\"https:\/\/ca.wikipedia.org\/wiki\/Escala_crom%C3%A0tica\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (s'obre en una nova pestanya)\">escala crom\u00e0tica<\/a>: (les dotze notes)<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/lh3.googleusercontent.com\/maMdaUPgzot7RwaoLPY6zK9YDJHChIzdaSzu5otLB0hWNw5bHv2-nMwKY_3Po7vdXzq4dXY0VsYE6E4jBdlWj8A-X6RgN_2AlQNZIx3E3xrrqmzw6PBaWYqGSsxZMQML0bb0SrvL\" alt=\"Escala crom\u00e0tica\"\/><\/figure><\/div>\n\n\n\n<ul class=\"wp-block-list\"><li>El compositor construeix una s\u00e8rie, la s\u00e8rie dodecaf\u00f2nica, ordenant lliurement cada una de les notes de la s\u00e8rie crom\u00e0tica:<\/li><\/ul>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/lh3.googleusercontent.com\/2J4wYqxABR1SvNS50Pp_1_IMHvsGu_4Zu9c6rnsmeRv5S_Q7OtYCB6irnUwM6jPXgjL7S1LlQnzRTl3OFwu_sts7h-dFkduVjlSntE2MnMkbru5nRtzCoAzCSoAJ8Axa7dsMWyg7\" alt=\"s\u00e8rie dodecaf\u00f2nica\"\/><\/figure><\/div>\n\n\n\n<ul class=\"wp-block-list\"><li>Es construeix la s\u00e8rie retr\u00f2gada o retrogradada, \u00e9s a dir, la retrogradaci\u00f3 de la s\u00e8rie original, comen\u00e7ant per la darrera nota:<\/li><\/ul>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/lh6.googleusercontent.com\/kyPEhph4EENeMjsfEgr__o1TWWZDCLMuJ1AGrjJdufo3QydTILvnr_3DedjMPYqvyQHvR01juv5v5nxmiWOSxFvNDKQ9f8Kqzvj66BUiNTi19LKOm9z5awZ_QTZSq8VN-Pu52w59\" alt=\"S\u00e8rie retr\u00f2gada\"\/><\/figure><\/div>\n\n\n\n<ul class=\"wp-block-list\"><li>De manera semblant es construeix la s\u00e8rie invertida o la inversi\u00f3 de la s\u00e8rie inicial, canviant l\u2019ordre dels intervals: tot all\u00f2 que puja, ara baixa i viceversa.<\/li><\/ul>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/lh6.googleusercontent.com\/xSOY1xsv3LZ2TN1PITSVBPfldBBv1l5mOGZ-AdrpMSYDqWRi1LESRBkyu-7t_gwVVqo8YpyvJrSupahoUgVEfWebLkelJCrvYTKkRtip4hpPCUelczXYGW6r6yjHIhji4vQBNhSB\" alt=\"S\u00e8rie invertida\"\/><\/figure><\/div>\n\n\n\n<ul class=\"wp-block-list\"><li>I, finalment, la retrogradaci\u00f3 de la inversi\u00f3 o, cosa que \u00e9s el mateix, la inversi\u00f3 de la retrogradaci\u00f3, agafant la darrera nota de la s\u00e8rie invertida i convertint-la en la primera:<\/li><\/ul>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/lh5.googleusercontent.com\/VAneYzT1iQLcJfMKZe5KBkRNr3Pv6f_i9z6KohUVUBRsxa8xePEf7z67-jaQJBGk8UPwR-p-shD5D91dngoMoGxQJRDlHVj22LRMRrQC21LQzCZ2texm105WLqUftIIauSTwHTSi\" alt=\"Retrogradaci\u00f3 de la inversi\u00f3\"\/><\/figure><\/div>\n\n\n\n<p>El sistema dodecaf\u00f2nic \u00e9s, doncs, un intent de crear un nou ordre, partint de la creen\u00e7a que el concepte \u201cTonalitat\u201d ( Re Major, Mi Major, etc\u2026) ja estava esgotat i, per tant, calia crear una nova ordenaci\u00f3 dels sons per tal d\u2019evitar caure en l\u2019anarquia.<\/p>\n\n\n\n<p>El seu creador fou Arnold Schoenberg (1874-1951), que juntament amb Alban Berg i Anton Webern, foren coneguts com la \u201cSegona escola de Viena\u201d (La primera fou Haydn, Mozart i Beethoven). Dels tres \u201cmagn\u00edfics\u201d, Alban Berg \u00e9s, probablement, el m\u00e9s assequible per a l\u2019oient, sense que aix\u00f2 signifiqui de cap manera que la seva m\u00fasica sigui senzilla o f\u00e0cil de captar. Requereix, per descomptat, un esfor\u00e7 que creiem que, en el cas que ens ocupa, el seu Concert per a viol\u00ed i orquestra, val molt la pena.<br><\/p>\n\n\n\n<p><strong>Algunes informacions importants sobre el Concert&nbsp;<\/strong><\/p>\n\n\n\n<p>En primer lloc, per qu\u00e8 l\u2019obra porta el suggeridor subt\u00edtol&nbsp; de \u201c A la mem\u00f2ria d\u2019un \u00e0ngel\u201d?<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube aligncenter wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/www.youtube.com\/watch?v=OtiJCyx_7Aw\n<\/div><\/figure>\n\n\n\n<p>Qui era aquest \u00e0ngel? Ni m\u00e9s ni menys que Manon Gropius, fill de l\u2019arquitecte Walter Gropius i d\u2019Alma Mahler, que mor\u00ed de poliomelitis&nbsp; a la joven\u00edssima edat de dinou anys. L\u2019obra, escrita en dos \u00fanics  moviments, vol ser una mena de \u201cRequiem\u201d a la mem\u00f2ria de Manon i, de fet, recorda i reviu els seus estats an\u00edmics. Hi ha qui veu, per exemple, en les darreres notes del viol\u00ed, l\u2019ascensi\u00f3 al cel de Manon, i al primer moviment, s\u2019hi desgrana la seva energia, joventut i tendresa, per\u00f2 m\u00e9s enll\u00e0 de cites m\u00e9s o menys program\u00e0tiques, l\u2019obra capta l\u2019atenci\u00f3 de l\u2019oient pels seus moments&nbsp; obertament tonals ( l\u2019aparici\u00f3 del coral de Bach \u201cEs ist genug\u201d al minut 19.15 \u00e9s absolutament magistral) o b\u00e9, simplement, els acords de l\u2019orquestra ben al principi de l\u2019obra (minut 1.45)  sense oblidar la melodia carintia (al minut 10.20, un landler, antiga dansa austriaca en 3\/4) que recorda lleument la can\u00e7\u00f3 de bressol de Johannes Brahms.<\/p>\n\n\n\n<p>L\u2019obra s\u2019estren\u00e0 a Barcelona, al Palau de la m\u00fasica. Alban Berg acabava de morir i, per tant, no la va poder escoltar mai. Dedicada al violinista americ\u00e0 Louis Krasner, fou interpretada per l\u2019Orquestra Pau Casals i dirigida pel llegendari Herman Scherchen\u00a0 (Anton Webern, no es va veure amb cor de dirigir-la, impressionat per la mort del seu amic i col\u00b7lega). Berg treball\u00e0 a contrarellotge perqu\u00e8 se sabia molt malalt i, malgrat estar treballant en la seva segona \u00f2pera, Lul\u00fa, ho deix\u00e0 tot per tal d\u2019assegurar la finalitzaci\u00f3 d\u2019aquesta inspirada i emocionant obra mestra del segle XX.<\/p>\n\n\n\n<p>Podeu llegir m\u00e9s articles sobre les <a href=\"https:\/\/www.ipsi.cat\/elfil\/category\/recomanacions-musicals\/\">recomanacions musicals de  ElFil aqu\u00ed<\/a><\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Concert a la mem\u00f2ria d\u2019un \u00e0ngel<\/p>\n<p><a class=\"more-link\" href=\"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/\">Read More<\/a><\/p>","protected":false},"author":3,"featured_media":4244,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wpupg_custom_link":[],"wpupg_custom_link_behaviour":[],"wpupg_custom_link_nofollow":[],"wpupg_custom_image":[],"wpupg_custom_image_id":[],"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[93,200],"tags":[81,124,77,64],"class_list":{"0":"post-4240","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-darreres-publicacions","8":"category-recomanacions-musicals","9":"tag-ipsi","10":"tag-entorn","11":"tag-musica","12":"tag-cultura","13":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Alban Berg i el &quot;Concert per a viol\u00ed i orquestra&quot; - ElFil Alban Berg<\/title>\n<meta name=\"description\" content=\"Alban Berg i el seu &quot;Concert per a viol\u00ed i orquestra&quot;, de 1935, permeten que \u00d2scar Boada ens introdueixi en el dodecafonisme\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Alban Berg i el &quot;Concert per a viol\u00ed i orquestra&quot; - ElFil Alban Berg\" \/>\n<meta property=\"og:description\" content=\"Alban Berg i el seu &quot;Concert per a viol\u00ed i orquestra&quot;, de 1935, permeten que \u00d2scar Boada ens introdueixi en el dodecafonisme\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/\" \/>\n<meta property=\"og:site_name\" content=\"ElFil\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/escolaIPSIOficial\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-29T09:58:44+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-01-29T11:26:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.ipsi.cat\/elfil\/wp-content\/uploads\/2020\/01\/alban-berg-02.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"330\" \/>\n\t<meta property=\"og:image:height\" content=\"330\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Joan Cararach\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@escolaipsi\" \/>\n<meta name=\"twitter:site\" content=\"@escolaipsi\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"Joan Cararach\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minuts\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/\",\"url\":\"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/\",\"name\":\"Alban Berg i el \\\"Concert per a viol\u00ed i orquestra\\\" - ElFil Alban Berg\",\"isPartOf\":{\"@id\":\"https:\/\/www.ipsi.cat\/elfil\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.ipsi.cat\/elfil\/wp-content\/uploads\/2020\/01\/alban-berg-02.jpg\",\"datePublished\":\"2020-01-29T09:58:44+00:00\",\"dateModified\":\"2020-01-29T11:26:32+00:00\",\"author\":{\"@id\":\"https:\/\/www.ipsi.cat\/elfil\/#\/schema\/person\/eefedada267d1f42425b2e978abc5087\"},\"description\":\"Alban Berg i el seu \\\"Concert per a viol\u00ed i orquestra\\\", de 1935, permeten que \u00d2scar Boada ens introdueixi en el dodecafonisme\",\"breadcrumb\":{\"@id\":\"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/#primaryimage\",\"url\":\"https:\/\/www.ipsi.cat\/elfil\/wp-content\/uploads\/2020\/01\/alban-berg-02.jpg\",\"contentUrl\":\"https:\/\/www.ipsi.cat\/elfil\/wp-content\/uploads\/2020\/01\/alban-berg-02.jpg\",\"width\":330,\"height\":330,\"caption\":\"UNSPECIFIED - NOVEMBER 24: Portrait of Alban Berg (Vienna, 1885-1935), Austrian composer. Vienna, Historisches Museum Der Stadt Wien (History Museum) (Photo by DeAgostini\/Getty Images)\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inici\",\"item\":\"https:\/\/www.ipsi.cat\/elfil\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Alban Berg i el &#8220;Concert per a viol\u00ed i orquestra&#8221;\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.ipsi.cat\/elfil\/#website\",\"url\":\"https:\/\/www.ipsi.cat\/elfil\/\",\"name\":\"ElFil\",\"description\":\"La revista de  l&#039;escola IPSI\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.ipsi.cat\/elfil\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"ca\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.ipsi.cat\/elfil\/#\/schema\/person\/eefedada267d1f42425b2e978abc5087\",\"name\":\"Joan Cararach\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Alban Berg i el \"Concert per a viol\u00ed i orquestra\" - ElFil Alban Berg","description":"Alban Berg i el seu \"Concert per a viol\u00ed i orquestra\", de 1935, permeten que \u00d2scar Boada ens introdueixi en el dodecafonisme","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/","og_locale":"ca_ES","og_type":"article","og_title":"Alban Berg i el \"Concert per a viol\u00ed i orquestra\" - ElFil Alban Berg","og_description":"Alban Berg i el seu \"Concert per a viol\u00ed i orquestra\", de 1935, permeten que \u00d2scar Boada ens introdueixi en el dodecafonisme","og_url":"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/","og_site_name":"ElFil","article_publisher":"https:\/\/www.facebook.com\/escolaIPSIOficial\/","article_published_time":"2020-01-29T09:58:44+00:00","article_modified_time":"2020-01-29T11:26:32+00:00","og_image":[{"width":330,"height":330,"url":"https:\/\/www.ipsi.cat\/elfil\/wp-content\/uploads\/2020\/01\/alban-berg-02.jpg","type":"image\/jpeg"}],"author":"Joan Cararach","twitter_card":"summary_large_image","twitter_creator":"@escolaipsi","twitter_site":"@escolaipsi","twitter_misc":{"Escrit per":"Joan Cararach","Temps estimat de lectura":"5 minuts"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/","url":"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/","name":"Alban Berg i el \"Concert per a viol\u00ed i orquestra\" - ElFil Alban Berg","isPartOf":{"@id":"https:\/\/www.ipsi.cat\/elfil\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/#primaryimage"},"image":{"@id":"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/#primaryimage"},"thumbnailUrl":"https:\/\/www.ipsi.cat\/elfil\/wp-content\/uploads\/2020\/01\/alban-berg-02.jpg","datePublished":"2020-01-29T09:58:44+00:00","dateModified":"2020-01-29T11:26:32+00:00","author":{"@id":"https:\/\/www.ipsi.cat\/elfil\/#\/schema\/person\/eefedada267d1f42425b2e978abc5087"},"description":"Alban Berg i el seu \"Concert per a viol\u00ed i orquestra\", de 1935, permeten que \u00d2scar Boada ens introdueixi en el dodecafonisme","breadcrumb":{"@id":"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/#breadcrumb"},"inLanguage":"ca","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/"]}]},{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/#primaryimage","url":"https:\/\/www.ipsi.cat\/elfil\/wp-content\/uploads\/2020\/01\/alban-berg-02.jpg","contentUrl":"https:\/\/www.ipsi.cat\/elfil\/wp-content\/uploads\/2020\/01\/alban-berg-02.jpg","width":330,"height":330,"caption":"UNSPECIFIED - NOVEMBER 24: Portrait of Alban Berg (Vienna, 1885-1935), Austrian composer. Vienna, Historisches Museum Der Stadt Wien (History Museum) (Photo by DeAgostini\/Getty Images)"},{"@type":"BreadcrumbList","@id":"https:\/\/www.ipsi.cat\/elfil\/alban-berg-i-el-concert-per-a-violi-i-orquestra\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inici","item":"https:\/\/www.ipsi.cat\/elfil\/"},{"@type":"ListItem","position":2,"name":"Alban Berg i el &#8220;Concert per a viol\u00ed i orquestra&#8221;"}]},{"@type":"WebSite","@id":"https:\/\/www.ipsi.cat\/elfil\/#website","url":"https:\/\/www.ipsi.cat\/elfil\/","name":"ElFil","description":"La revista de  l&#039;escola IPSI","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.ipsi.cat\/elfil\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"ca"},{"@type":"Person","@id":"https:\/\/www.ipsi.cat\/elfil\/#\/schema\/person\/eefedada267d1f42425b2e978abc5087","name":"Joan Cararach"}]}},"_links":{"self":[{"href":"https:\/\/www.ipsi.cat\/elfil\/wp-json\/wp\/v2\/posts\/4240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ipsi.cat\/elfil\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ipsi.cat\/elfil\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ipsi.cat\/elfil\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ipsi.cat\/elfil\/wp-json\/wp\/v2\/comments?post=4240"}],"version-history":[{"count":6,"href":"https:\/\/www.ipsi.cat\/elfil\/wp-json\/wp\/v2\/posts\/4240\/revisions"}],"predecessor-version":[{"id":4271,"href":"https:\/\/www.ipsi.cat\/elfil\/wp-json\/wp\/v2\/posts\/4240\/revisions\/4271"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ipsi.cat\/elfil\/wp-json\/wp\/v2\/media\/4244"}],"wp:attachment":[{"href":"https:\/\/www.ipsi.cat\/elfil\/wp-json\/wp\/v2\/media?parent=4240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ipsi.cat\/elfil\/wp-json\/wp\/v2\/categories?post=4240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ipsi.cat\/elfil\/wp-json\/wp\/v2\/tags?post=4240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}